Saturday, June 23, 2018

Bullets: a Virgin Variant, an Eisner Nod, and The Next Project Announced!

It's been one very busy week, not even counting a news item that we previously overlooked.

Virgin Variant for KILLED OR BE KILLED 20.  Looking at ComicList's advance forecast for Image Comics, we saw an intriguing second entry for the upcoming final issue to Kill Or Be Killed, for "Cover B Sean Phillips Virgin Variant", linking to a TFAW product page with the second image shown below.


We reached out to the artist himself, and Sean Phillips confirms the listing:  the final issue of Kill Or Be Killed reaches stores with a second, "virgin variant" cover with all the trade dress removed, allowing readers to enjoy the homage to Romita's Spider-Man in all its undiluted glory.

Phillips has since posted a pic of what appears to be his comp copies of both versions, telling readers that the issue "includes a teaser for our new book," which we'll cover further down.

Both versions of the issue -- standard cover and virgin variant, both shown above -- are due next week, on June 27th.

• Brubaker & Phillips Interview for KOBK Finale.  As we were investigating the variant cover this past week, CBR was doing its own work of journalism, posting an extensive interview with the primary creators of Kill Or Be Killed as the vigilante series wraps up.  We think this is the first interview with Phillips since January, and we can't remember the last time Brubaker talked with the press.

Ed Brubaker doesn't want to spoil the final issue -- or even confirm Dylan's fate and "reveal whether he actually did die" -- but he describes it as "the weirdest comic I’ve ever written, probably."  Still being wary of spoiling the issue, he also says it deals "in some ways" with the question of whether the antagonistic Demon is real.

Sean Phillips, meanwhile, describes his characters' evolution, his use of Fairburn's popular reference book series from the 1970's, and Bettie Breitweiser's contributions in adding color to New York through all four seasons.

As coy as the pair is about how the series wraps, the interview includes pages from the upcoming issue, presumably from the opening act, constituting a three-page preview that we're including below.




Brubaker mentioned that he's learned, "never say never," regarding a return to any fictional world, and he's "keeping his fingers crossed" on the film adaptation involving members of the creative team behind John Wick: "I’m helping to produce the movie, but not on a day-to-day level like I am with my current TV show at Amazon [Too Old to Die Young]."

Sean Phillips, meanwhile, is working on covers for home video, film soundtracks, and a Glasgow band, and his eight-page WWI comic with Ian Rankin is still due in October.

And what about the pair's next collaboration?  It's evidently a pair of projects, first an original, hardcover graphic novel, due in October, and then another serialized book which we believe to be the anticipated return to the world of The Fade Out.

Phillips is returning to drawing on paper for the former -- this graphic novella -- and Brubaker said that this project "will be announced soon."

He wasn't kidding.

• Due In October, MY HEROES HAVE ALWAYS BEEN JUNKIES. The CBR interview was posted on Monday, June 18th.  The very same day, Image Comics released its September solicitations, which included an advance solicit for the pair's upcoming graphic novella.


MY HEROES HAVE ALWAYS BEEN JUNKIES OGN HC 
WRITER: ED BRUBAKER 
ARTIST / COVER: SEAN PHILLIPS 
OCTOBER 10 / 72 PAGES / FC / M / $16.99 
The first original graphic novel from the bestselling creators of CRIMINAL, KILL OR BE KILLED, THE FADE OUT and FATALE. Teenage Ellie has always had romantic ideas about drug addicts, those tragic artistic souls drawn to needles and pills have been an obsession since the death of her junkie mother ten years ago. But when Ellie lands in an upscale rehab clinic where nothing is what it appears to be... she’ll find another more dangerous romance, and find out how easily drugs and murder go hand-in-hand. MY HEROES HAVE ALWAYS BEEN JUNKIES is a seductive coming-of-age story, a pop and drug culture-fueled tale of a young girl seeking darkness... and what she finds there. A gorgeous must-have hardback from the award-winning team of ED BRUBAKER and SEAN PHILLIPS, with acclaimed color artist ELIZABETH BREITWEISER.
The title may be a riff on the melancholic country song popularized by Willie Nelson. I wonder how often I'll conflate the titles here and on the podcast -- or combine them and reference the Cowboy Junkies.

The next day, Image posted a press release for the book, which Sean Phillips reposted at his blog.

In the release, Brubaker describes the book as their version of a romance comic, confirming that it's also a crime story: "But it's one that allows me to mine some of my own pop culture obsessions and delve back into my teen years and the kind of trouble you can only get into when you're young."
This is evidently the "romance comic" that Phillips reference in an earlier interview, and we do wonder if this started out as that Criminal novella.

On Twitter, Phillips adds that, along with returning to paper for this project, he'll be providing the colors along with his son Jacob Phillips.  I believe this will be only the second time Sean Phillips has been a colorist, the first being the pair's contribution to The Spirit Newspaper.

• Eisner Nod for The Spirit Anthology.  On the subject, we had earlier overlooked the late-April announcement -- covered by the LA Times among others -- of the 2018 Eisner Award nominations.

We found the following among the nominees for Best Anthology:
  • The Spirit Anthology, edited by Sean Phillips (Lakes International Comic Art Festival)
By our reckoning, this is the first year since 2014 that a Brubaker and Phillips collaboration hasn't been explicitly nominated for any Eisners, but they did have a one-page contribution to The Spirit newspaper-sized comic.

The Eisner Awards will be announced Friday night, July 20th, at Comic-Con International in San Diego. Between the Spirit comic's subject matter and rationale (the centenary of its creator Eisner's birth) and the murderer's row of creators, we're expecting good things.

On Twitter, Sean Phillips has a pinned tweet to remind readers that this anthology he edited is exclusively available through worldwide mail order from Page 45 Comics -- and here is the direct link.


• New Prints for Upcoming Works from Brubaker & Phillips.  Finally, Sean Phillips very recently announced new prints at his Big Cartel store, for artwork from this fall's big releases:  the cover for the single-volume trade collection for The Fade Out and the cover for the new novella, My Heroes Have Always Been Junkies.  In the case of the latter, two options are available, with and without the creators listed.

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Wednesday, January 17, 2018

New Undertow Podcast, New Kill Or Be Killed, New Twitter Feed, and Catching Up for the New Year.

It's a big week:  Robert has recorded and released an abbreviated episode of The Undertow Podcast, reviewing Kill Or Be Killed #14, and issue #15 is in stores today with a four-page preview already online.

(Preview pages without the obscenities obscured -- and a fifth page -- can be found in the latest newsletter from writer Ed Brubaker; see below.)

The third trade paperback, collecting issues #11-14, is also in stores today.  Ireland's Big Bang Comics and the UK's Forbidden Planet has an exclusive variation on this third volume, with a different cover and a mini-print bookplate signed by the writer and the artist.  Both covers are shown below, along with the eerie artwork for the bookplate.



International orders can be placed at the Forbidden Planet online store or at Big Bang's eBay listing.  (And Big Bang tweets that they still have stock of their previous two trade paperbacks, with variant covers and signed bookplates.)

Interestingly, Forbidden Planet lists a "virgin wraparound" variant for the upcoming KOBK #17, but currently the page has no image preview and no additional details.

In the meantime, we have issue #15 out today. Last Saturday, John Jack at Comic Watch offered a brief "First Watch" advance review of the issue, awarding it a 9 out of 10.  The review has no spoilers beyond what can be gleaned from Image's official preview, with the exception of a single two-panel image, with the Demon suddenly back in the story, following Dylan.


And for those who are looking for a quick refresher after the series' brief hiatus, our good friend Robert Watson covers the previous arc, along with the previous issue, in The Undertow Podcast Episode #19.  As always, as always, the podcast is available on iTunes and Podbean.

--

I'm looking forward to joining Robert again for the next podcast, and it's been far too long since we've last blogged.  As the classic U2 song puts it, we've been "running to stand still" in real life, and there has been a lot of big news over the past few months.

For one thing, we have just created a dedicated Twitter account for the blog, @CriminalBlog, to separate our focus on all things Brubaker/Phillips from our personal account @TigerBeasley and my more idiosyncratic interests in faith, politics, movies, music, sports, and humor.

We do hope to blog much more frequently in the upcoming year, and we recommend that readers "follow" our new Twitter account to be notified of new posts and interesting retweets.

In the meantime, here is a very succinct timeline of the past few months, with the biggest news items highlighted in red.

• OCT 19, Page 45 Comics posted an extensive essay of reviews and photos from the Lakes International Comic Art Festival; among the featured festival-exclusive books is the Spirit newspaper curated by Sean Phillips (and featuring a one-page Brubaker/Phillips story) and Starting, a "one-day collaborative comic" that includes a four-page story from Sean's sun Jacob, and both products are available for international orders at Page 45's online store.

• OCT 30, Arrow Academy announces the upcoming Blu-ray and DVD release of Viva L'Italia, a 1961 documentary by Roberto Rossellini; the film is scheduled for a January 29th release and features cover artwork by Sean Phillips, shown below.


• NOV 13, Delcourt releases a 17-page preview of Fondu au Noir, the publisher's French translation of The Fade Out, in advance of its November 29th release.

• NOV 15, Image Comics announces its partnership with the Madefire digital program; details remain scant, but the press release includes Criminal in its reference to the publisher's back catalog.

• NOV 16, Marvel cancels two upcoming books from Brian Michael Bendis, a week after the writer announced his move to DC, effectively signaling the end of Marvel's Icon imprint for creator-owned works, at least for now; the imprint was the original home for Criminal and Incognito.

• NOV 16, Sean Phillips provided more information about the upcoming Criterion Collection release of Night of the Living Dead on DVD and Blu-ray February 13th; Sean Phillips painted the artwork for the cover, the wraparound sleeve, and the booklet -- the cover repurposes the poster for the recent 4K rerelease (also available at Criterion's online store) and the sleeve is the full artwork that Sean previously previewed in October and is reproduced below and on the artist's Twitter profile.


• NOV 21, director and co-writer Nicholas Winding Refn used his Instagram account to announce the main cast of Too Old to Die Young, highlighting the addition of Billy Baldwin; co-written by Ed Brubaker, the series stars Miles Teller and is apparently already in production.

• NOV 21, Image posted its February solicitations, listing a Valentine's Day release for KOBK #16; the cover art is the completed piece we saw as a work in progress, and the solicit confirms a literal interpretation of the artwork, mentioning Dylan's plight in a mental hospital.

• NOV 27, Robert and I released Undertow Podcast Episode 18; the podcast featured a review of KOBK #13 and recommendations for the comic books Whiteout -- artist Steve Lieber put the entire first issue online -- and Slots.

• NOV 29, Image Comics released KOBK #14 with a three-page preview; Hero Collector posted an essay explaining why people should be reading the title.

• DEC 14, The Hollywood Reporter exclusively announced that Chad Stahelski, the director of the John Wick films, is a directing a Kill Or Be Killed film adaptation; the script will be written by Dan Casey, who has written the script for the Incognito adaptation (not yet produced), and Ed Brubaker will be an executive producer.

• DEC 18, subscriber's received the latest installment of Ed Brubaker's email newsletter, his first in more than six months; the issue includes preview pages for KOBK #15, production work for the cover to issue #16, info on the KOBK movie, reposted news on a Velvet TV series, production photos from Too Old to Die Young, confirmation on his absence from Westworld's season two, and info on his research into the upcoming follow-up to The Fade Out.

(Not a traditional sequel, the story will be set in the late 1950's, when television became big in Hollywood, and it features "a side character" from the first story.  In earlier interviews, Brubaker specifically named Phil Brodsky, the studio's fixer.)

• DEC 18, DC Comics' March solicitations include an advance solicit for Sleeper Book One, in trade paperback; scheduled for April 25th, the book collects Point Blank and Sleeper Season One, both written by Ed Brubaker with the latter drawn by Sean Phillips in an early collaboration.

• DEC 18, Delcourt releases a French translation of KOBK #1, available for purchase online at Sequenicity.

• DEC 19, Image posted its March solicitations, with KOBK #17 listed for March 21 and described as "turning-point issue of the series so far;" perhaps meaningfully, the cover art has Dylan removing his now iconic red ski mask.

• DEC 20, Sean Phillips announces his work on the cover art for the Arrow Academy Blu-ray release of the 1947 Western Ramrod, starring Veronica Lake and scheduled for March 5th.

• DEC 20, Phillips also announces his work on a variant cover for Hellblazer #19, written by Tim Seeley; it appears that the issue has been solicited and is still scheduled for a February 28th release.

• JAN 10, the UK's Ink magazine publishes a retrospective review of Brubaker and Phillips' Sleeper, rightly describing the early work for DC's Wildstorm imprint as "a self-contained gem."

• JAN 15, Phillips announces new original artwork at Splash Page Comic Art, including paintings for covers of Kill Or Be Killed and Hellblazer.

• JAN 17, Phillips just announced that he's selling signed posters for Night of the Living Dead, at his Big Cartel store; it looks like quantities are very limited, possibly only two posters.

That just about covers it, but we'll have another blog entry up soon.

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Wednesday, October 18, 2017

Bullets: New Undertow Podcast, New Kill Or Be Killed, Solicitations, and More!

The newest episode of The Undertow Podcast came out just last week, and the newest issue of Brubaker and Phillips' Kill Or Be Killed reaches stores today, hot on the heels of a four-page preview -- one which promises that we'll finally reach the flash forward from the first issue, which was repeated in issue #11.

We have details about both new arrivals below, along with news on solicitations for January and much more.

One of these days, I'll actually blog often enough that I won't need these massive posts of bullet points...


• Undertow Podcast on KOBK #12.  We had a blast recording episode 17, which is now available available on iTunes and at Podbean.  After discussing what we agree is the best issue of the series, so far, we covered a few news items that we're repeating below (along with some we omitted), and offered a couple recommendations for our listeners.

I recommended The Hard Place, a crime comic mini-series from Image Comics, written by Doug Wagner (Plastic) with art by Nic Rummel and Charlie Kirchoff.  The story is about an former wheelman who gets caught up in a bank robbery and the kidnapping of a crime kingpin's daughter: I wouldn't normally recommend a book after only two issues, but so far the title is just that good, and I do hope it sticks the landing.

Meanwhile, Robert recommended a list of (about) five deep cuts from Tom Petty, who passed away earlier this month.  For convenience, here's his list along with YouTube links, some from official channels and some that may stretch the definition of fair use.
It's truly great stuff, though personally I'm hoping that we'll soon see the long-awaited additional material from the Wildflowers sessions, perhaps with the hard-to-find b-sides like "Girl on LSD."

• KOBK #13 On Sale Now, Preview Online.  The new issue's four-page preview was released just yesterday, it can be found at the link above, and the accompanying image is a detail from the first page.  In the preview, we see the promise that the timeline will reach the series' explosive opening -- "really soon," and "by the end of this chapter... for sure."

Presumably that means we'll see it this issue, but we also see Dylan giving more thought to the demon whose curse started this journey into vigilantism.  The issue's description hints that his investigation into the supposed hallucination might prove fatal to his mental health.

"Caught in the crossfire between the police and the Russian mob—and his sanity—Dylan begins to realize his problems are more dire than he thinks." [emphasis mine]

And, in the preview, Dylan acknowledges his rambling narration and alludes to The Life and Opinions of Tristram Shandy, Gentleman, an 18th-century novel written by an Irish, Anglican clergyman named Laurence Sterne.  The book was published in nine(!) volumes over the course of nearly a decade, and Dylan's apparent graduate studies in liberal arts is probably why he's familiar with the notably digressive work.

• The Spirit Newspaper Comic, Available for Online Orders.  We were ecstatic with last month's announcement that the Spirit newspaper comic -- overseen by Sean Phillips, with a single-page contribution written by Ed Brubaker -- would be available for online orders and international shipping.

The comic was initially available at this past weekend's Lakes International Comic Art Festival, which Phillips attended, and it is now available for purchase for a mere 5 pounds at Page 45 Comics, a store in Nottingham, England.

In an extensive, somewhat spoiler-heavy review on the product page, Stephen from Page 45 notes that the project was "directed and edited by Festival Patron Sean Phillips" -- and he notes that Phillips "also paid for its printing from his own pocket."

The product listing includes a few preview images, no doubt provided by Phillips, and one image evidently gives us the entire page produced by Brubaker and Phillips -- with Phillips doing the uncommon task of providing his own colors, and with almost a great enough resolution to make out the text.

Even if we could read the story on this page, we'd want to hold the work in our hands and see the other contributions from what the Page 45 reviewer calls "a breath-taking, broadsheet-sized spectacle at a whopping 23 x 14.5 [inches]."

The reviewer notes that sales proceeds will benefit the festival's Creators' Development Fund, but we're just as glad to have pre-ordered a couple copies for our own enjoyment.


• Femme Fatales Prints at Sean Phillips' Big Cartel Store.  On Twitter, Sean Phillips mentioned his trip to Kendal for the Lakes festival, and that he would only be selling The Spirit newspaper in the Page 45 room.  But he also pointed readers to his Big Cartel online store, where he has just added prints of the four pieces of artwork that were featured on the Femme Fatale beer.

The prints' names include a numbering order -- the reverse of which the prints were featured at Phillips' blog -- and we wonder if this was the order in which the works were created.

  • #1 Rita Hayworth
  • #2 Lauren Bacall
  • #3 Gene Tierney
  • #4 Veronica Lake
• Maniac Cop and Velvet: One Brubaker Project Possibly Scrapped, Another Announced.  In less than a fortnight, two news items broke regarding Ed Brubaker's projects outside of the printed page, with both items receiving plenty of coverage beyond their original publication.

On September 24th, Birth.Movies.Death exclusively reported some details from an interview with filmmaker Larry Cohen, the screenwriter behind the original Maniac Cop trilogy.  Ignore the reporter's hyperventilating about contemporary politics, and you'll see that Cohen appears certain that the Maniac Cop remake is dead:  the film, to be penned by Brubaker, was earlier given a green light to be filmed over this past summer.

While not detracting from Brubaker's skills as a comic-book writer, Cohen was not complimentary of Brubaker as a screenwriter or his script for the remake -- but the reporter seems both confused and even skeptical about some of the claims that his subject was making.

(So are we, and we hope this isn't the last we hear about the movie.)

On October 4th, The Hollywood Reporter exclusively reported a television series adapting Velvet, the spy comic created by Ed Brubaker and Steve Epting.  Writer, producer, and showrunner Kyle Killen will adapt the comic to be the first original drama for the Paramount Network, the cable network that debuts on January 18th, a rebranded Spike TV.

No date was given for the series premiere, but the show is described as "in development."  Killen will write and serve as executive producer, along with two executive producers from Anonymous Content, which produces True Detective and Mr. Robot.

We suspect that this is entirely separate from the "still top secret" project by Brubaker and Epting, which the writer mentioned in his email newsletter in June, 2016.

• Phillips Projects: Office Drones and Other Zombies.  Like Brubaker, Sean Phillips works on several projects at any given time, and here again we see that some bear more fruit than others.

(As the nearly comatose sailor put it in Master & Commander, the Lord taketh, and the Lord giveth away.)

On Twitter, Phillips posted cover artwork he did for The Apartment, the 1960 Best-Picture Oscar winner from Billy Wilder.  The film stars Jack Lemmon, Shirley MacLaine, and Fred MacMurray as office drones in what Mark Steyn brilliantly describes as "a sad but true urban Christmas fable."

The artwork was for Arrow Academy, a label for the British company Arrow Films, for which Phillips has produced artwork for at least four other films in the last few years.  As with Audition before it, Arrow ended up going in another direction, but a close look at Phillips' Twitter feed will reward fans with some in-progress pics from August, from digital pencils to "real" inks to colors.

We haven't yet seen what artwork Arrow went with, but we finally get to see what "Pink Shirley" was intended for...


...and we wonder if there are plans for that signed-and-dated drawing of Shirley MacLaine.

It seems Phillips is getting a reputation for his artwork of Hollywood stars -- I especially love his cover for the Criterion Collection's Sweet Smell of Success, another black-and-white classic set in NYC -- but the artist might always be known for zombies, and Phillips tweeted that he created the movie poster for the 4K re-release of The Night of the Living Dead.

At the end of September, the website Rue Morgue exclusively released the poster for the 4K restoration, which is being shown in select theaters throughout North America, now through January.

We're reposting the watermarked image below, and close readers can see Sean Phillips' signature and the year in the lower right:  we have no idea whether there are plans to make a print of this poster  available for purchase, but one could always talk to the theater owner where the movie's playing.


And this isn't the only zombie-related work that Phillips has produced recently:  two weeks back, he posted the following work-in-progress, and we're quite interested to see what it's for.


• January Solicitations and More Preview Art.  Finally, we turn back to Kill Or Be Killed and look forward to its future releases.  Image's January solicitations were released just yesterday, and they confirm our guess of a New Year release for the the third trade collection and the new arc's next issue, with both scheduled for a January 17th release.

Issue #15 is solicited with a full 40 pages, the full artwork for the detail which we previously noted, and a vague but intriguing description, that "Dylan is forced to confront the reality of his violent actions and his sanity...and nothing will ever be the same again!"


Sean Phillips used the same artwork to create a personal sketchbook, which he showed Twitter followers on Monday.  Even before that, he's treated fans to preview art of what appears to be the thematically similar cover for issue #16 -- created in acrylic paint, with red for the iconic ski mask, grays for the straitjacket, and an appropriately manic stare in the final version.


It's yet to be seen, how much of these images are literal or merely symbolic, and we hope readers don't go crazy waiting for the answer.

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Friday, September 22, 2017

Yes! The Spirit of Eisner Newspaper Comic will be Available by Mail Order!


The Thought Bubble Festival is underway in Leeds, England, and OK Comics is selling their Femme Fatale beer this weekend, with label artwork from Sean Phillips:  the labels (and prints!) came in earlier this week, followed by the fresh cans of brew.

Seeing the finished product, we wonder how the labels are attached, and whether they can be easily removed after purchase -- and we see that at least one design (and presumably the entire batch) is now described as a Sputnik Pale Ale rather than the Herzog Kolsch Style beer.  And we see that the artist himself has arrived in Leeds and has signed at least some of the cans of Femme Fatale beer.


We hope this weekend's festival goes well, but we have some very big news for next month's Lakes International Comic Art Festival.

Sean Phillips has tweeted that The Spirit of Eisner newspaper comic has been printed and has already arrived, allowing him to share a few photos of the finished work, including the cover photo we're reposting above and a little bit more of his one-page Criminal-style collaboration with Ed Brubaker.

Asked how fans can get a copy if they can't attend the festival, Sean replied, "It'll be available mail order too."

Just yesterday, he elaborated: "It’ll be available mail order from @PageFortyFive"

We haven't found a listing in Page 45's online store, but we'll keep looking, and we note that the Nottingham comic shop's Twitter profile includes the very encouraging notice, "We Ship Worldwide!"

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Tuesday, September 12, 2017

Bullets: Undertow Podcast on KOBK #11, Preview of KOBK #12, and Much More!

Lots happening today:  the latest episode of The Undertow Podcast was just published, with a lengthy look at Kill Or Be Killed #11, and Image Comics has released a suspense-filled three-page preview of issue #12, which reaches stores tomorrow.

We have more details on both in a quite lengthy post below, along with a few other items.


Undertow Podcast on KOBK and Kirbyesque Craziness.  Robert and I very recently recorded our thoughts on issue #11, the first chapter in the series' third arc and an apparent turning point in Dylan's effort to leave behind his new career in vigilante justice.

With its reprise of the series' opening flash-forward and a renewed focus on whether Dylan is delusional or truly demon-possessed, the issue seemed to be a kind of response to the discussions we've had in earlier episodes -- just as it was awfully eerie to read that Rex was a family man who liked reruns of Perry Mason.  The creators probably don't listen in, but it's still gratifying to see that our close look at the book is paying off down the road.

As always, episodes of The Undertow Podcast are available on iTunes and at Podbean.  We hope everyone enjoys listening as much as we do making this show, and if you do, we'd appreciate your spreading the word, especially with an iTunes review.

And if Ed, Sean, and/or Bettie do listen in... hi, y'all! We hope ya like the show.


In addition to discussing KOBK, I heartily recommended Strange Science Fantasy, a 2010 mini-series by Scott Morse and IDW.  Marvel and DC are both commemorating the 100th anniversary of the birth of "King Kirby," and I can think of no better book to recommend than this one, which honors Kirby with entirely new tales.

I stumbled across the series when it was first published in monthly issues.  I was immediately struck by the cover art, which we're including above.  The covers sum up the book quite nicely:  loose artwork and bombastic narration telling almost primal stories of heroism.  Each issue tells a complete story, which is why it was so much fun to read the serialized issues, but readers will discover a work that is greater than the sum of its individual chapters.

I quoted at-length from two articles that give a good introduction to the work, CBR's 2010 interview with the creator and a 2011 review at Full Stop, by a reader who is frustrated by the melodrama of modern comics and their sprawling continuity.

Those who like this book might also enjoy other works by Morse, including the crime story Volcanic Revolver, the boxing tale in Southpaw, and the autobiographical Tiger! Tiger! Tiger!  I still find that Strange Science Fantasy is the most complete, most satisfying work I've read by Scott Morse.

I can't imagine that the book will be to everyone's taste, but those who are intrigued by the premise and especially the cover art should definitely give it a shot.


Updates on Sean Phillips Projects: Femme Fatale Beer and The Spirit of Eisner Newspaper.  In the podcast, we mention a few recent developments on Sean Phillips' side projects, and we should definitely make note of them here.

In our last blog post, we relayed news about that mysterious Rita Hayworth artwork that the artist had previously teased:  Sean Phillips has created four can designs for Femme Fatale beer, a Herzog Kolsch style beer to be brewed by North Brewing Co. and sold at Tall Boys Beer Market in Leeds, England, commemorating OK Comics' 15th birthday with a party toward the end of next week's Thought Bubble Comic Art Festival.

In addition to the beer, the announcement noted the sale of "a small quantity of limited edition prints, based on the Sean Phillips beer can designs. They will be signed, framed and ready to display."

On Twitter, OK Comics has since provided more info on these prints, including a photo of the framed artwork, which we're reposting above.  The signed and framed print will sell for 20 pounds, and while they anticipate the store will sell out quickly, Jared promises that the store will stock the item until the supply runs out.


For those of us unable to visit the festival next week, even better news came from Sean Phillips himself, tweeting his own announcement about new prints launching at Thought Bubble in Leeds.  As before, the prints are of the artist's favorite femme fatales, but -- going by the photo he posted, shown above -- there's a separate print for each actress, and the artwork is unadorned by the beer can layout.

In that tweet and elaborating on Instagram, Phillips relays that leftover prints will be available after the festival, in his online store at Big Cartel.


The other big news is for another big festival in England -- the Lakes International Comic Art Festival in mid-October.  In May, we noted the announcement of the festival's Spirit of Eisner newspaper comic, which Phillips is coordinating and which will include a one-page story by Brubaker and Phillips; in August, we highlighted preview art from the Brubaker/Phillips contribution and hints at creators not mentioned in the original press release.

Since then, Sean Phillips has pinned a tweet with the apparent cover art of the newspaper broadsheet comic, shown above -- and he's given followers on social media previews of more artists' contributions, including Jason Latour and Bryan Hitch (drawing a story written by Jonathan Ross).

It looks like Phillips' rendition of the Will Eisner's celebrated masked hero is in the upper right corner, and the previously seen signed drawing by Michael Cho is in the bottom right corner.

The comic is part of a celebration of Eisner's centenary: Will Eisner was born in Brooklyn in March, 1917; Jack Kirby was born less than six months later, across the East River in Manhattan.  The festival's page for the nearly month-long "Spirit of Eisner" art exhibition describes the comic as "a 12-page broadsheet newspaper with 10 self-contained stories," and Cho is not listed as one of the contributors.

On Twitter, Phillips describes the book as "twelve massive pages of awesome Spirit stories," and the twelve images on the cover seems to come from 12 quite distinctive works.  We wonder if the final book is a little bigger than originally advertised.

According to the official site, "The newspaper will be on sale at the festival with proceeds towards LICAF’s Artists’ Development Fund."  We're still hoping the comic will also be available for purchase online.

• More Details on the Criminal Graphic Novella.  Another item briefly covered in the podcast is the Criminal graphic novella that was first announced in June.  In the back pages of KOBK #11, Ed Brubaker gave readers a little more information.
  • Sean Phillips is confirmed as the book's artist, and he'll work on the title alongside drawing the monthly issues of Kill Or Be Killed
  • The book's publication should be in 2018, most likely in the summer or fall.
  • The format will be similar to the recent adaptation, from Dark Horse Comics, of Neil Gaiman's short story How to Talk to Girls at Parties.
  • The story's central character is from the first Criminal tale, "Coward," but not Leo or Gnarly. 
We confirmed that the Gaiman adaptation, by Fábio Moon and Gabriel Bá, is a traditional comic of sequential artwork.  It is not a book of illustrated prose, like Neil Gaiman and Charles Vess' Stardust.

Personally, I wonder if the upcoming book's protagonist might be Genuine Jen Waters, the old friend of Leo and Tracy who now works as a cop in the Internal Affairs Department, a pariah among both her old friends and her current coworkers.


• Kill Or Be Killed Allusions and Illustrations.  Finally, we come back to Kill Or Be Killed, beginning with the movie mentioned in today's online preview.  It would be easy enough for curious readers to track down the movie title online, but we recognized it fairly quickly as The Edge, whose trailer is embedded above.  Wikipedia notes that the 1997 thriller, starring Anthony Hopkins and Alec Baldwin, is also one of the last film appearances for the trained Kodiak Bart the Bear, who naturally enough has his own entry.

That preview isn't the only hint of things to come:  as we also noted in the podcast, Sean Phillips has been posting a detail of a piece of artwork in several stages of development -- here, here, and presumably completed here -- and we're reposting the latest version below.


We can't help but notice the familiar row of fangs in the upper right corner, and we suspect that this is another piece of artwork from Dylan's disturbed dad.

If that image weren't eerie enough, in his Instagram feed and reposted in Twitter, Sean Phillips has provided previews -- here, here, and just today here -- of an impasto-style painting, what is now undoubtedly an upcoming cover to Kill Or Be Killed, possibly issue #15 kicking off a new arc or perhaps a new cover for the third arc's trade collection.

We're wrapping this overlong post with that last preview, posted without commentary.

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Tuesday, August 01, 2017

Bullets: Undertow Podcast on A.D. After Death, Spirit Preview Art, New Inventory and a New Vertigo Collection, and Much More!

New releases for Kill Or Be Killed are just around the corner -- issue #11 and the Volume 2 trade paperback are both due on August 11th, and Sean Phillips has already tweeted a photo of the comp copies he's received -- but we'll kick off the month with quite a few items of interest.

• Undertow Podcast Bonus Review of A.D. After Death. In lieu of our usual segment of monthly recommendations, Robert and I recorded a bonus episode of The Undertow Podcast to discuss a previous recommendation:  A.D. After Death, a combined comic book and illustrated prose novel written by Scott Snyder with art by Jeff Lemire.

A hardcover collection of the three-issue mini-series was released at the end of June, our podcast discussion recently came out, and I couldn't sum up both any better than Robert did in the description for episode 14:
"Great sci-fi, with a touch of crime, and gorgeous watercolors made this a fun to book to read and break down."
As always, The Undertow Podcast is available at iTunes and on Podbean.



• Preview Art of Brubaker and Phillips' The Spirit.  As we reported in May, Ed Brubaker and Sean Phillips are contributing a one-page story to The Spirit of Eisner, a 12-page newspaper-sized comic honoring The Spirit, on the centenary of the birth of its extraordinary creator.

Phillips is also coordinating the publication of this comic, to be released by the Lakes International Comic Art Festival in October, and in subsequent tweets he's treated fans to previews of eight different pages.  In addition to a signed drawing by Michael Cho and the distinctive cartoony style of Sergio Aragonés, we see a panel crediting Chris Samnee, who was not listed in the March press release.

Perhaps even more exciting for Brubaker and Phillips fans, the artist has announced that he's finally underway with their contribution to the project, and he has posted more than a dozen preview photos, from thumbnails and photo reference, to digital pencils subsequently transferred to paper and inked.  Over the weekend, Phillips tweeted that he has completed the inks and will do his own color work for this story (confirming his role as colorist on Twitter), and he's posted a partial preview of the vibrant neon colors with some completed lettering.

We've seen quite a bit of the first few panels -- including photos of the artist holding up the single page, in pencils and again in partial inks, shown in the collage below -- but we're sure that, for both his work and for the others, Sean Phillips is saving a lot of surprises for the book's readers.


New Art By Sean Phillips, for Rawhead Rex and JD's Revenge.  We mentioned that Sean Phillips has been creating artwork of Rita Hayworth in our previous post, and Phillips relayed that the work is for a separate project and not for a bonus essay.  This project has still not yet been formally announced, but it appears that Ms. Hayworth is not the only subject.

In the meantime, other projects have been officially announced.

First, AICN reports the return of the 1986 British horror film Rawhead Rex, with a screenplay by Clive Barker and based on a previously published short story by the horror writer.  The film is getting a 4K restoration for a limited summer run and a Blu-ray release in the fall, and Sean Phillips created the poster for the re-release.

AICN provided an exclusive look at the resulting work, which we're including below.  The distributor's official site lists ten North American theaters screening the film between August and October.


And, at his own blog, Sean Phillips has posted both a preliminary draft and the final version of the menacing artwork for Arrow Video's release of a 1976 blaxploitation horror film JD's Revenge.  The release is due in October but not yet listed on the distributor's official site.

Phillips will apparently be reusing the artwork in a promotional banner for his artwork, shown below and making its debut at September's Thought Bubble festival in September.


Kill Or Be Killed & Criminal Fall Short at the Eisners.  The winners of the 2017 Eisner Awards were announced at Comic-Con last Friday night, and Brubaker, Phillips, their collaborators, and their collaborations all fell short in the five categories in which they were nominated -- all against very tough competition.

We congratulate the winners, and we're happy to see Black Hammer win the award for Best New Series: according to The Beat's live blog of the awards ceremony, writer Jeff Lemire said the award was won only because of artist Dean Ormston's incredible recovery from a stroke after finishing the first issue.

We weren't aware of the stroke, we're so glad that Ormston is recovering, and we've been enjoying the series thoroughly.

• Westworld Second-Season Preview.  The Eisner Awards weren't the only big news from Comic-Con, as a lot of film and television projects have been promoted with new footage.  Along with an elaborate installation promoting the fictional, futuristic resort, producers of HBO's Westworld debuted a two-minute trailer of new footage from the upcoming second season.

Ed Brubaker was quite heavily involved in the first season, joining the writer's room, being credited as a supervising producer for five episodes, and receiving a writer's credit for one episode.  It's not clear whether Brubaker is working on the second season, but we're sure we'll find out soon enough.

• New Inventory for Older Hardcover Collections -- and a New Hardcover of Brubaker's Vertigo Comics?  On Twitter, an online friend Kevin Sels has been telling us about some interesting new listings he's found on Amazon.

The Criminal The Deluxe Edition Volume 2 hardcover (the listing has the cover art from volume 1) and Incognito: The Classified Edition hardcover are both scheduled for a January 2nd release date.  These listings might have been the first hints of new printings by Image Comics, but Sean Phillips explains that the books are "just old stock that was found in a warehouse somewhere."

We're even more intrigued by Kevin's tweet about a February listing, for a 272-page hardcover, scheduled for a February 27th release:  Vertigo by Ed Brubaker.  This is the very first we've heard about this.
Classic Vertigo tales by Eisner Award-winning author Ed Brubaker collected for the first time in hardcover edition. The best Ed Brubaker's Veritgo stories are collected together for a wild and sometimes supernatural ride!
It begins with reprinted material from VERTIGO VISIONS: PREZ #1 in election year '96, with the country coming apart at the seams. Prez Rickard, long missing and presumed dead, has been sighted at a roadside diner in the American heartland. A trio of restless young misfits, one of whom believes he is Prez's son, sets out across America in search of answers for their country's woes--answers that only the former Chief Executive can provide. Then, from WINTER'S EDGE #2, a gang of suburban kids devises a fool proof get-rich-quick scheme. Followed by stories from the best supernatural detectives that are not alive, in DEAD BOY DETECTIVES.
These amazing tales from one of the great voices in the comics industry today are collected together in hardcover in VERTIGO BY ED BRUBAKER! Collects VERTIGO VISIONS: PREZ #1, WINTER'S EDGE #2, GANGLAND #3 and DEAD BOY DETECTIVES #1-4.
These kind of listings are always subject to change, but this may give serious fans a second chance to get some oversized hardcovers, stuffed with bonus features, and a first chance to get some of Ed Brubaker's earliest stories, collected for the first time.

We will certainly relay more info about these books as we find it.

And big thanks to Kevin for sharing these discoveries with us and eliciting more info from Sean!

• Solicitations and Preview Art for Upcoming Issues of Kill Or Be Killed.  Finally, Image Comics have released their October solicitations, and they include another issue of Brubaker and Phillips' ongoing vigilante comic.
Caught in the crossfire between the police and the Russian mob—and his sanity—Dylan begins to realize his problems are more dire than he thinks. BRUBAKER & PHILLIPS’ multiple Eisner-nominated series keeps racing from hit to hit in this action-packed third arc!
Lucky number 13 of Kill Or Be Killed continues the connecting cover art which Brubaker previously described as "one long cover image of escalating violence," and the issue is scheduled for an October 18th release.

But even more interesting is a bit of artwork that Sean Phillips posted on Instagram on July 17th, which we're including below.  In a previous tweet showing the work in-progress, we learn that the work is a watercolor, and the artist subsequently reveals that it's for the "Next issue of Kill Or Be Killed."



We're intrigued, to say the least.

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Wednesday, May 03, 2017

Eisner: Nominations and a "Newspaper" Comic!


Just yesterday, the San Diego Comic-Con International announced the nominees for the 2017 Eisner Awards, and we're thrilled to find nods to Criminal, Kill Or Be Killed, and all three of the books' talented creators:
  • Ed Brubaker was nominated for Best Writer, for his work on the Criminal 10th Anniversary Special, Kill Or Be Killed, and Velvet.
  • Sean Phillips was nominated for Best Cover Artist (for multiple covers) for the Criminal Anniversary Special and Kill Or Be Killed.
  • Elizabeth Breitweiser was nominated for Best Coloring for the Criminal 10th Anniversary Special, Kill Or Be Killed, Velvet, and Outcast by Kirkman & Azaceta.
  • The Criminal 10th Anniversary Special was itself nominated for Best Single Issue/One-Shot.
  • And Kill Or Be Killed was nominated for Best Continuing Series.
In the nominations, both books were credited to Brubaker & Phillips, but we would be remiss not to note that, on the covers to both, Bettie Breitweiser is prominently listed -- quite rightly -- as the the third creator.  We're glad to see her receive her own nomination in recognition of her mesmerizing contributions.

(And we would be equally remiss if we didn't express our firm conviction that Steve Epting was snubbed for not receiving a nomination for his work on Velvet.)

Brubaker and Phillips have been earning awards and nominations and other accolades for well over a decade, including a 2006 Best New Series Eisner for Criminal and a 2012 Best Limited Series Eisner for "The Last of the Innocent."  We're glad to see that they continue to be recognized, both for maintaining their high-quality work and for frequently exceeding the already lofty expectations of their readers.

The awards will be announced Friday night, July 21st, at Comic-Con International.

But now is a perfect time to acquaint yourself (or your friends) to Brubaker, Phillips, and Breitweiser's latest twisted take on crime comics:  Kill Or Be Killed #1 was re-released just today (albeit without the bonus content) in a one-dollar "Image Firsts" edition.


...and, we have more interesting news involving Will Eisner, for whom the comics industry's most prestigious award was named.  

This past March, the Lakes International Comic Art Festival announced a trio of projects to honor the centenary of the comic creator's birth -- namely, an extensive exhibit of Eisner's work; a competition inspired by his famed creation The Spirit, inviting art students to invent their own vigilantes; and a newspaper-style comic featuring new work by some of today's top writer and artists.

Titled The Spirit of  Eisner, this 12-page publication is described as "a celebratory broadsheet comic" that honors both The Spirit and the original format in which the series was published.  The book is officially sanctioned by the Will Eisner estate, its original artwork will be featured in an exhibit in the festival site of Kendal, England, and Sean Phillips recently commented at our blog to elaborate that "a few of the contributors will be appearing in person, some for the first time in the UK."

(Comparing the list of contributors against those already announced as guests, I found five attendees other than Phillips himself:  Sergio Aragonés, Michael Cho, Duncan Fegredo, Jason Latour, and Peter Milligan.)

As a festival patron, Sean Phillips is quite heavily involved with the festival in general and with this centenary celebration in particular.  As well as judging the student competition with crime author Ian Rankin, Phillips is coordinating this comic's publication, and -- as he mentioned in the festival's official podcast, which we referenced last week -- he and writer Ed Brubaker are contributing a page to this comic.

That's news that is definitely worth emphasizing:

Ed Brubaker & Sean Phillips are creating a one-page story for The Spirit of Eisner newspaper-sized comic for this year's Lakes International Comic Art Festival.

A few weeks back on social media, Sean posted see two bits of related artwork.  One is a definite in-progress preview of the first panel of what he subsequently describes as "one (giant) page" of a story, which we're reprinting below; the other is reprinted at the top of this post, and it may just be a sketch of Eisner's famous crimefighter.  (But what a sketch!)

The press release announcing these projects also states that the book "will be launched" at the festival, which is scheduled for the weekend of October 13th to the 15th.


Sean Phillips has another quite interesting project, which was also recently announced by the Lakes Comics Art Festival:  he has designed a republication of the first ever book on creating graphic novels, first published by Rodolphe Töpffer in 1845(!!!), with this new edition translated, edited, and introduced by John McShane.

In the press release for this special edition of this historically significant work, we find that the book will be available at the festival, but it "can also be ordered online from Page 45, the Nottingham-based comic shop that has been a longtime supporter of LICAF."

We haven't seen anything similar, stating that The Spirit of Eisner will be available anywhere other than the festival itself, but we're encouraged by the verbiage that the book will be "launched" there.

We'll certainly keep our eye out for any news about the book's availability for fans unable to attend the festival, and we'll be sure to pass along what we find.

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