Podcast Addenda as Reckless Vol 4 Hits Shelves This Week.

The Ghost In You, the 4th Reckless OGN from Ed Brubaker and Sean Phillips, arrives this week, and so Robert Watson has released another episode of The Undertow Podcast: this time, Robert and I review the previous volume, Destroy All Monsters.

There were a few more items that didn't make the recording, all worth mentioning briefly.

We recorded Sunday night, and Ed Brubaker sent out another email newsletter Monday with a few of those items.

• Reckless Bookplate. Stores with large enough orders will include an autographed bookplate with The Ghost In You.

For this release, the bookplate features a young Anna with her Black Flag tee-shirt and the "Anna-archy" grafitti she uses to tag the front doors of the El Ricardo theater.

• Parker's Last Call, Long Overdue. Brubaker shares the good news that Parker: The Martini Edition Last Call will finally reach stores in just a few weeks. The ComicList blog has a May 4th release date for the super-deluxe collection of Darwyn Cooke's second set of Donald Westlake / Richard Stark's Parker stories, originally expected September 30th, 2020. (!!!)

Ed Brubaker evidently has his "comp copies," and we're treated with a few interior photos, including one of a group interview with Brubaker, Bruce Timm, and Scott Dunbier.

To our own greatest delight, we get a glimpse of the team's long-awaited contribution to this collection -- "TOMORROW and TOMORROW and TOMORROW, A Grofield Story by Ed Brubaker and Sean Phillips, For Donald Westlake and Darwyn Cooke."

• Gotham Central Ominbus Returning to Stores. In addition to keeping up with Ed Brubaker's newsletter, we have a habit of checking the ComicList blog each week, and along with The Ghost In You, this week sees the release of the 2022 edition of the Gotham Central Omnibus.

The release dovetails nicely with a news item for the podcast, announcing an end-of-year release of the 2022 edition of The Sleeper Omnibus, Brubaker and Phillips' self-contained masterpiece for DC's WildStorm universe.

We list Gotham Central in our bibliography for Brubaker and Phillips, but it is an oddity in that list: the latter only worked on cover art for seven of the last eight issues, and the former stopped writing for the 40-issue series with issue #36.

Nevertheless, Gotham Central is one of the best books set in Batman's hometown. The omnibus is well worth the $100 retail price, but we're sure you can find the book for less.

• Brubaker Working on Hollywood Adaptations. Finally, returning to the newsletter, we find a bit more about one item Robert mentioned in the podcast.

The last few months has been a hectic balancing act for me. Scripts and rewrites on the Batman show, working on Reckless and Friday script pages, and the early stages of adapting a few of our books into films (I never believe anything in TV or film is really happening until things are officially greenlit to production).

We wonder which books might be adapted -- Reckless? Kill Or Be Killed? Criminal?? -- and we've been waiting for years for any such project to see more than an industry-mag announcement. When an adaptation finally is produced and released, all we will say is, it's about damn time -- and we'll have our fingers crossed that the work honors the excellent source material.

Bullets: Catching Up on the Last Two Months

Someday I'll actually have enough of a routine in my life that I'll be able to blog consistently, without these long pauses.

(Someday, yeah, I'll get it right...)

In the meantime, here's a brief look back at the last ten weeks or so, put together while we were prepping for the next episode of The Undertow Podcast and gearing up for the next issue of Criminal.

• February 21st, Image's May solicitations were released, with nothing listed for Brubaker and Phillips.  We were surprised to see a "skip month" this soon, as the team's five-week schedule had us expecting a new issue on May 29th, and we wonder if the timing had anything to do with the  previously announced appearances at NCSFest in California, over the weekend of May 17th.

(The May solicits weren't a complete wash for us.  As big fans of the sci-fi book Planetoid, we're thrilled to see that creator Ken Garing is back with Gogor, described as a high-fantasy series for teens and announced with its own press release and, earlier, an interview with Garing.)

• March 7th, Sean Phillips announced the single-volume deluxe hardcover for Kill Or Be Killed, with a simple tweet pointing to an Amazon listing and posting the cover art, shown below, reusing the artwork from issue #5 and the second trade collection ("Volume 2").

The Amazon listing describes the book as "'Catcher in the Rye' meets 'Death Wish' in a dark take on the vigilante genre that became a cracked reflection of the world around us."

The description confirms that the single-volume hardcover "contains the entire KILL OR BE KILLED story, as well as the behind the scenes extras and artwork."   The page notes a total of 584 pages, a retail price of $59.99, and a scheduled release date of November 19th.

The 24 issues of Fatale were ultimately collected in two deluxe-edition hardcovers, and the 12 issues of The Fade Out are found in a single hardcover, so we were wondering how many deluxe editions would comprise the single story of Kill Or Be Killed, originally told in 20 monthly issues.

• Also on March 7th, the Word Ballon Podcast posted a wide-ranging two-hour conversation with Ed Brubaker. The interview is the writer's first appearance on the podcast in about six years -- the last appearance we noted was in October, 2012, and host John Siuntres mentioned Velvet, which was announced in July, 2013, the same year in which the podcast ceased being published at iFanboy.

Brubaker discusses his work both in comics and in television.  Comic fans will be interested in the history behind My Heroes Have Always Been Junkies; Sean and Jacob Phillips were supposed to be co-colorists, but an unexpected time crunch arose for printing the original graphic novel, so Jacob Phillips became the sole colorist after just a few pages.  And, Brubaker reveals upcoming plans for Criminal, which we've already begun to see in recent announcements.

He also reveals an incredible bit of personal history, which a Bleeding Cool article recounts from the podcast.  DC asked Brubaker to follow-up on Alan Moore's famous comic The Killing Joke, he directly quoted a couple pages in flashback, and he tried to have Moore credited for his writing.  Failing that, he sent Moore a check for his page-rate, Moore then called Wildstorm editor Scott Dunbier and recommended Brubaker for work, and that led quite directly to *Sleeper*.

And the rest is history.

(That follow-up story was part of the mini-series Batman:Turning Points, which I personally remember reading back in 2001. It served as a kind of prologue to Officer Down, which established what would be an interesting status quo for Gotham Central, with Jim Gordon and Harvey Bullock both absent from the GCPD's Major Crimes Unit.  Ed Brubaker and Gotham Central co-creator Greg Rucka were writers for the entire span of stories -- including the Turning Points mini-series and the Officer Down crossover, and for the "big two" main titles of Batman and Detective Comics generally  -- and it was Gotham Central that first made me pay serious attention to Brubaker.)

("Turning points," indeed.)

The writer also hints at another upcoming comic-book project, "an R-rated version of a young adult book," a first-time large-scale collaboration with a favorite artist of his.

Brubaker compares writing for comics and for film -- the script for the latter remains a "living, breathing thing" that is always only "good enough" -- and he observes that all writing is calling B.S., where you have to keep moving forward, "sitting down and facing yourself."

In addition to talking about his work on Westworld and Too Old to Die Young, Brubaker mentions progress on the film adaptation for Kill Or Be Killed; he thinks the film might go into production later this year, and it's the first such project that closely hews to the source material.

• March 11th, Sean Phillips and Jacob Phillips both attended an Image Comics panel in London, at a Waterstones bookshop on Tottenham Court Road. The panel also featured Kieron Gillen, Jamie McKelvie, Jock, Alison Sampson, and Lee Garbett, and a few days afterwards Tripwire Magazine posted 80 minutes of audio and a half dozen photos.

On Twitter, Jacob Phillips shared his own "family photo," shown below.

We plan to listen in to the conversation, so as to report on anything of interest to our readers, but unfortunately that remains on our to-do list.

(Hat tip to Joel Meadows, retweeted by Sean Phillips.)

• March 15th, our good friend Robert posted episode 30 of The Undertow Podcast, focusing on a brief review  of Criminal #2, the start of the two-part story centered on the comics industry, "Bad Weekend."

• March 20th, Criminal #3 was released, completing the two-part story "Bad Weekend" (or so we thought; see below). 

The story had a low-key ending -- but quite tragic despite that -- and the back matter includes letters from readers and Kim Morgan's essay on The Color of Money.  That film is quite unique, a 1986 sequel to The Hustler from 1961, and the essay features two illustrations from Sean Phillips.

• Also on March 20th, Ed Brubaker sent out a pair of email newsletters, the first of which featured process work on a single page of issue #3 -- from script to inks to colors -- and preview pages and unfinished panels for issue #4, a story set in 1993, starring Ricky Lawless, and evidently featuring old friends such as "Genuine Jen" Waters and the "coward" Leo Patterson.

We're particularly intrigued by this upcoming issue, as this would be the first "period piece" set after the consequential death of Teeg Lawless.

(Brubaker also mentioned The Undertow Podcast, and we appreciate the shout-out!)

In the second newsletter, Brubaker elaborated on a comment he had just made that had prompted quite a few questions:  in short, for two of these first four issues of the new ongoing Criminal arc, it may be a while before we see the stories republished in a trade collection.

He also says they have a Criminal book coming out in July, but he didn't reveal the details.  From what we now know, it seems that issues #1 and #4 -- the Teeg and Ricky stories -- might be the ones that won't soon be collected for those who "wait for the trades."

• March 21st, Image released its June solicitations, including the next issue of Criminal.  What Brubaker seemed to describe as a connected series of one-shot stories, the June solicits describe as "the long and winding tale of THE SUMMER OF '88... the story of the last days of Teek Lawless."

The cover to issue #5, shown below, apparently features a new character, Dan Farraday, a PI and bounty hunter on the trail of a "dangerous woman" who is evidently central to issue #6.

The usual five-week schedule was evidently extended by only a single week, as this next issue is scheduled for a June 5th release.

• April 3rd, the trailer for Too Old to Die Young dropped along with a release date, both sent out through social media, including the Twitter accounts for the television series, director Nicolas Winding Refn, and star Miles Teller.  /Film was one of the first sites to report on the trailer, citing an earlier article quoting writer and co-creator Ed Brubaker, as "the most Nicolas Winding Refn thing that ever existed, honestly."

Going by the trailer, it seems the newer /Film article describes the series well -- as "a pulpy, stylish nightmare featuring amoral weirdos inhabiting a dreamy, deadly Los Angeles landscape" -- and the article notes the release date for the Amazon Prime series, to air on June 14th.

• April 15th, Deadline released an exclusive story, announcing that Too Old to Die Young would screen at the Cannes Film Festival in mid-May, ahead of its June 14th premiere on Amazon Prime. 

This is evidently only the third episodic television series to screen at the famous festival, at the time it wasn't clear how many episodes would be featured, and the writer thought that a "special screening slot" was most likely.

In the subsequent lineup, announced on April 18th, two episodes were listed for the series:  "North of Hollywood" and "West of Hell."

• April 16th, The Hollywood Reporter broke the news of an expanded Bad Weekend hardcover, due in July.  The book is described as an "expanded and remastered" version of the "comic convention crime thriller" that appeared in Criminal #2 and #3, evidently in the same format as last year's original graphic novel, My Heroes Have Always Been Junkies.

The cover art, shown below alongside the Junkies cover, is certainly in the same vein, with a pastel color scheme and a portrait of the protagonist, complete with a dangling cigarette. 

The font is different, but -- as before -- the book's cover omits the Criminal branding.  That is  perhaps because, despite the criminal element at the center of each story, the premise (romance and addiction, comic conventions and mentors) has a wider appeal beyond the duo's usual readership.

On Twitter, Sean Phillips explains that it "took a while" to decide on the cover's color scheme, and he treated fans to a photo of several candidate covers, very reminiscent of Andy Warhol's pop art.  He relays that he preferred the third cover on the top row, but it too closely resembled the last hardcover.

• On April 18th, Image Comics released its July solicitations, including the expanded hardcover edition of Bad Weekend and the next issue of the monthly series, Criminal #6.

The solicits on the official site list a page count of 72 pages for Bad Weekend, which may imply as many as 18 new pages, enough for a short third issue.  Since the span between issues exceeds the usual five-week gap only once, and for a single week -- six weeks between the scheduled release dates for issue #4 and issue #5 -- that's not a lot of extra time to create this additional content. 

(We've noticed that Jacob Phillips' Twitter feed has included ink work, evidently of his own projects.  Perhaps he could help ink Sean's pencils.)

On the Newsarama page listing Image's July solicitations, the description for the Bad Weekend hardcover mentions a special trim size of 6.625 by 10.1875 inches, but that's practically the size of a standard U.S. comic book.  On Twitter, Sean Phillips relays that the book will be a "standard" size, "same as the Junkies book," and with the same type of paper.

The next issue of Criminal will be continue Teeg Lawless' last story, "The Summer of '88," and the story's description repeats what we learned from issue #1, that Teeg "falls in love for the first time."  That's a very intriguing development for the widower, implying that he didn't really love his wife, Tracy and Ricky's mother.

Both books are scheduled for the same day, July 10th.

• And just today, April 22nd, Image Comics issued a press release for the Bad Weekend hardcover.   The news item quotes Ed Brubaker that the story is both an "exposé of the industry" and a "love letter to the medium," and along with praise for the comic, the press release summarizes the book's contents:

Bad Weekend features an expanded and remastered version of the story recently serialized in issues #2 and 3 of Criminal, with several completely new scenes, and presented in the same gorgeous hardcover format as Brubaker and Phillip's bestselling graphic novel My Heroes Have Always Been Junkies. And like every Criminal graphic novel, Bad Weekend is a stand-alone story that works as a singular reading experience.

As before, the book is being described as released ahead of the San Diego Comic-Con, but Sean Phillips has already confirmed that the hardcover will be "available everywhere" and not exclusive to the SDCC or any other convention.

The Upside of Social Media: Sean Phillips Cover for Thunderbolt #1 and More.

Social media is, at best, a very mixed bag indeed -- Brubaker closed his Twitter feed a while back, and I've heard the whole thing is more accurately described as "anti-social" media -- but we do strongly recommend that fans of Brubaker and Phillips' crime comics "follow" the latter either on Instagram or especially on Twitter.

Again:  follow Sean Phillips on Twitter.

We say that because, between retweets and original posts, some of the more obscure or time-sensitive bits of news end up in his feed -- and that's to say nothing of the excellent preview art, the nature photography, and the vintage soundtrack selections.  We have a few examples of news items just from this past week.

• We saw and retweeted the announcement, but we didn't have the bandwidth to blog about a one-day sale at Phillip's Big Cartel online store; the sale took place on Sunday commemorating the artist's birthday.
• On his currently pinned tweet, Phillips notes that his online store includes books in which he has included a signature and a sketch, specifically My Heroes Have Always Been Junkies and the recent omnibus trade paperback for The Fade Out.  Just yesterday he announced that his store now includes signature-and-sketch copies of the first trade collection for Fatale, as this volume "has gone back to print."
• Sean's Big Cartel store isn't the only place to find signed items online, as England's OK Comics is now using their eBay store to sell books signed by Sean Phillips and Jacob Phillips; the easiest way to find all the books is to sort by "newly listed."
• Finally, Dynamite's Peter Cannon Thunderbolt #1 reaches stores this week, and one of its multiple variant covers -- one listed as Cover A, the apparent standard cover -- is by Sean Phillips.  I believe it's his first non-Brubaker comic cover since the series of six Hellblazer variants released in the early months of 2018.

Phillips' distinctive cover art, shown at the left above, heralds the second volume of this title, the first volume being a ten-issue mini-series from 2012 and 2013.  This new issue is written by Kieron Gillen and drawn by Caspar Wijingaard; described as a "dark, humorous and relentless love song" to superhero comics, the issue marks Gillen's return to the genre.

Looking at the issue's webpage on the official site, we find a virgin variant of the cover, shown above on the right.  From the image's filename, we think it might be offered as a retailer incentive, and we see that ComicList identifies this "Sean Phillips Virgin Variant" as "Cover G" with no set price -- the price is marked "AR" for "Ask Retailer."

Bleeding Cool has a 12-page preview of the comic, composited from multiple previews for an story described as being 20 pages in length. In a blurb that Phillips has retweeted, Dynamic Comics hints that Watchmen fans might be particularly interested in this comic book.

Criminal #1 Ten-Page Preview, an Undertow Podcast, and More for the New Year!

We anticipate being much more active in the new year -- more blogging, meaning more frequent posts with more prompt news updates -- as Ed Brubaker and Sean Phillips return to monthly comics with a new volume of our favorite series, Criminal.  The first issue is less than a week away, and we begin 2019 with a quick look back at the end of 2018.

• October Interviews for Junkies. Three print interviews with writer Ed Brubaker were published in a single month.  Released to coincide with the October 10th release of My Heroes Have Always Been Junkies, the online articles also provide a substantial "fix" for those more obsessive fans of the writer and his work.

• Oct 9th, from The Hollywood Reporter, with an exclusive four-page preview of Junkies
• Oct 21st, from Salon 
• Oct 25th, from GQ, published exactly two years after an interview about The Fade Out and subsequently summarized by Tripwire Magazine

There's much more from these interviews than we'll summarize here -- some of which Robert and I discussed in the podcast (see below) -- but we found the biographical insights especially interesting. 

Brubaker's father was a commander in naval intelligence, and his mother and stepfather were therapists.  From age 4 to age 7, Brubaker lived at Guantanamo, where his father got his sons reading with a large box of used comics.  His parents got divorced, and from age 8 to age 12, he accompanied his mother to her Sunday-morning AA meetings.  He subsequently became a trouble-maker -- "scraping by" in his early 20's, socializing with "really bad crowds" and committing "small-time crime" -- until his life got out of hand and the young artist almost ended up in prison.

We can see the effect on Brubaker's writing, not just in the generally sympathetic approach to desperate and reckless criminals, but also in the details of stories -- from the setting for "An Accidental Death," one of his earliest works; through the protagonist of "Lawless;" to the focus of this most recent work, the Criminal novella Junkies.

• Phillips Sketchbook of Movie Stars. On November 8th, Sean Phillips announced a new item exclusive to his Big Cartel store.  My Heroes Have Always Been Movie Stars is a 32-page, US comics-size collection of some of the illustrations he has created to accompany the film essays featured in the back of Brubaker and Phillips' monthly issues. 

The artist explicitly writes that these works originally appeared "in the Criminal comics [made] with Ed Brubaker," but we wonder if some of the art was for Incognito, Fatale, or other titles.  It's a question that might only be answered with a copy of this sketchbook and a complete list of these bonus-feature essays.

The book is priced at £20, in a signed and numbered limited edition of 300 copies.  It appears that copies are still available, but there's no telling how long that will last.

• The Fade Out Single-Volume TPB Released. On November 14th, the anticipated single-volume trade paperback edition of The Fade Out was released.  This will probably serve as the definitive wide release of the 2014-2016 mini-series, as the story is better told as a single work than in three four-issue "acts." 

We examined a copy at a local shop, confirming that the book is a bare-bones release without the bonus content found in the hardcover.  The book includes the "Screen Views and News" clipping which serves as a kind of epilogue to "Maya's story and Valeria's story," but it omits the fictional promotional images featured on the back-cover art of the monthly issues. 

And, we're disappointed to report that the cover lacks an amusing detail found in a print that Phillips has made available at his online store and which is shown above, describing the book as "An Ed Brubaker and Sean Phillips production."

• Image Solicitations for the Next Criminal Arc. On November 20th, Image Comics released its February solicitations, including the second issue of the new volume of Criminal -- all just in time for us to discuss as late-breaking news on the podcast.  Issue #1 is evidently a self-contained done-in-one tale, and this new story features an artist named Archie Lewis, and we recall that this fictional character was briefly mentioned in the narration of the 2008 arc "Bad Night."

Archie Lewis was the artist’s artist in his heyday, although that’s not what he’s famous for. He’s famous for being a nightmare to work with—and dangerous. So when an old assistant is forced to chaperone his one-time mentor to receive his lifetime achievement award, well... let’s just say things don’t go well.

We wondered if the story will touch on Jacob Kurtz, the main character and narrator from "Bad Night," as perhaps this "old assistant" to the evidently infamously difficult Lewis is Jacob himself.  That suspicion was confirmed on December 21st, with the release of Image's March solicitations and a very brief description of the next issue.

Jacob’s weekend taking care of his old mentor takes a turn for the worse.

That original narration made it seem that Jacob knew Archie Lewis only from a distance -- it mentioned a productivity trick as "an old Archie Lewis method, according to his biographer" -- but it may just be that he knew that reality didn't live up to the myth.  We're also curious how Jacob's aspiration to be an artist (this assistantship, for instance) collided with his criminal background, hanging out with Leo and Tracy and becoming an expert counterfeiter.

It's not clear when this story takes place chronologically, but it does appear that "The Longest Weekend" is a companion to "Bad Night."  In his recent newsletter (see below), Brubaker even referenced this new story as "Bad Weekend."

• Undertow Podcast on Junkies.  November 26th saw the release of the most recent episode of The Undertow Podcast, Episode 27 reviewing the Criminal novella My Heroes Have Always Been Junkies.  Robert and I thoroughly enjoyed the discussion, and we soon plan to release a new episode taking a broader look at the Criminal chronology.

The novella features a mixtape Ellie's mother made for her then-incarcerated father, and so I ended the episode recommending a kind of mixtape of my own:  The Best of David Gray Disc 2, from the two-disc deluxe edition. 

In the liner notes, the British singer-songwriter tells readers that he selected the tracks for this bonus disc "for no other reason than that they occupy a special place in my heart and have meant a lot to me down the years."  They serve as a kind of mixtape for his fans, I find these songs particularly compelling, and I've just made a five-song playlist from that disc, to share with our readers.

Gray's repertoire spans from traditional love songs to more abstract, ethereal music, and his lyrics capture the tragic beauty of both the mundane and the transcendent: "From Here You Can Almost See the See" contains a great example of both with its prosaic verses and its unexpected coda.  He will soon be touring in support of a new album out on March 8th, Gold in a Brass Age, and he's just followed up "The Sapling" with the release of the second song from the album, "A Tight Ship."

• Exclusive Image Deal Extended for Another Five Years. I believe we've discussed Brubaker and Phillips' five-year deal on the podcast, making the assumption that the agreement would be extended.  On December 6th, Image Comics posted a press release making it official:  the exclusive deal has been renewed for another five years, effective immediately.

Described as "previously unprecedented," the original deal was announced in January, 2014, and it allowed the pair "to do anything they want with total freedom, total control, and total ownership over their projects."  As a result, Brubaker says that the previous five years have been "the most successful time of our long career together," and publisher Eric Stephenson adds that, over that period, "Ed and Sean have done some of the best work of their careers."

This extension coincides with the return of Criminal as a new monthly series, and the article mentions a renewed emphasis on monthly storytelling, with Ed Brubaker saying that he wants the new series to be "a monthly comic that would stand apart by really embracing the format, and trying to be something surprising every issue."  Publisher Eric Stephenson chimes in, saying that the series "serves as a welcome reminder of just how potent monthly comics can be."

The press release mentions some of the praise the team's most recent work has received, from Library Journal and Vulture/NY Magazine.  This is in addition to the accolades Image Comics compiled in a December 18th release, where Junkies made the year-end best-of lists for Newsweek, Thrillist, and Multiversity Comics.

• Ten-page Criminal preview in Brubaker newsletter. Finally, Christmas came early for Criminal fans, when Ed Brubaker sent out an email newsletter on December 24th, featuring a ten-page preview of the first issue -- a substantial excerpt of the double-length issue, a few panels of which we're highlighting below.

 

Brubaker also looked back on the previous project, Junkies, announcing that the hardcover novella has sold better than expected: "as of this writing I think [the book] is almost sold through a printing that was meant to last a few years."

Looking ahead, Brubaker also provided an advance look at the next story, the two-part Criminal tale "The Longest Weekend," aka "Bad Weekend."  From what we gathered in the solicits mentioned above, we take it the panel features a flashback scene of young Jacob Kurtz serving as an assistant artist to a pro named Hal.

And, along with the three October interviews we listed above, Brubaker mentioned a CrimeReads interview published on December 12. 

In this most recent interview, he reveals some details about the story in Junkies (Ellie is 18 years old) and about the book's creation (a tight deadline resulted in Jacob Phillips becoming the colorist after the first few pages).  He discusses his influences and his process, his early work writing Sleeper, and the very recent decision to follow up Junkies with more stories set in the Criminal universe.

Strangely enough, the interview also includes what Brubaker said about monthly comics in the prior press release on the renewed five-year deal, with some additional elaboration

"The single issue itself has started to become an afterthought. At the big two, you have tons of ads in them, and they’re on cheap paper now. It’s like this amazing little package that gave us all decades and decades of joy as comic fans is being neglected by the market that was built on them."

And, Ed Brubaker gives us a quick synopsis of what we can expect with the new monthly Criminal series:

"The first issue is basically the ultimate Criminal story. It kind of shows you everything that the book does, all in one long and winding oversized story."

Criminal #1 is due in stores this Wednesday, January 9th.

Bullets: a Virgin Variant, an Eisner Nod, and The Next Project Announced!

It's been one very busy week, not even counting a news item that we previously overlooked.

• Virgin Variant for KILLED OR BE KILLED 20.  Looking at ComicList's advance forecast for Image Comics, we saw an intriguing second entry for the upcoming final issue to Kill Or Be Killed, for "Cover B Sean Phillips Virgin Variant", linking to a TFAW product page with the second image shown below.

We reached out to the artist himself, and Sean Phillips confirms the listing:  the final issue of Kill Or Be Killed reaches stores with a second, "virgin variant" cover with all the trade dress removed, allowing readers to enjoy the homage to Romita's Spider-Man in all its undiluted glory.

Phillips has since posted a pic of what appears to be his comp copies of both versions, telling readers that the issue "includes a teaser for our new book," which we'll cover further down.

Both versions of the issue -- standard cover and virgin variant, both shown above -- are due next week, on June 27th.

• Brubaker & Phillips Interview for KOBK Finale.  As we were investigating the variant cover this past week, CBR was doing its own work of journalism, posting an extensive interview with the primary creators of Kill Or Be Killed as the vigilante series wraps up.  We think this is the first interview with Phillips since January, and we can't remember the last time Brubaker talked with the press.

Ed Brubaker doesn't want to spoil the final issue -- or even confirm Dylan's fate and "reveal whether he actually did die" -- but he describes it as "the weirdest comic I’ve ever written, probably."  Still being wary of spoiling the issue, he also says it deals "in some ways" with the question of whether the antagonistic Demon is real.

Sean Phillips, meanwhile, describes his characters' evolution, his use of Fairburn's popular reference book series from the 1970's, and Bettie Breitweiser's contributions in adding color to New York through all four seasons.

As coy as the pair is about how the series wraps, the interview includes pages from the upcoming issue, presumably from the opening act, constituting a three-page preview that we're including below.

Brubaker mentioned that he's learned, "never say never," regarding a return to any fictional world, and he's "keeping his fingers crossed" on the film adaptation involving members of the creative team behind John Wick: "I’m helping to produce the movie, but not on a day-to-day level like I am with my current TV show at Amazon [Too Old to Die Young]."

Sean Phillips, meanwhile, is working on covers for home video, film soundtracks, and a Glasgow band, and his eight-page WWI comic with Ian Rankin is still due in October.

And what about the pair's next collaboration?  It's evidently a pair of projects, first an original, hardcover graphic novel, due in October, and then another serialized book which we believe to be the anticipated return to the world of The Fade Out.

Phillips is returning to drawing on paper for the former -- this graphic novella -- and Brubaker said that this project "will be announced soon."

He wasn't kidding.

• Due In October, MY HEROES HAVE ALWAYS BEEN JUNKIES. The CBR interview was posted on Monday, June 18th.  The very same day, Image Comics released its September solicitations, which included an advance solicit for the pair's upcoming graphic novella.

MY HEROES HAVE ALWAYS BEEN JUNKIES OGN HC 

WRITER: ED BRUBAKER 

ARTIST / COVER: SEAN PHILLIPS 

OCTOBER 10 / 72 PAGES / FC / M / $16.99 

The first original graphic novel from the bestselling creators of CRIMINAL, KILL OR BE KILLED, THE FADE OUT and FATALE. Teenage Ellie has always had romantic ideas about drug addicts, those tragic artistic souls drawn to needles and pills have been an obsession since the death of her junkie mother ten years ago. But when Ellie lands in an upscale rehab clinic where nothing is what it appears to be... she’ll find another more dangerous romance, and find out how easily drugs and murder go hand-in-hand. MY HEROES HAVE ALWAYS BEEN JUNKIES is a seductive coming-of-age story, a pop and drug culture-fueled tale of a young girl seeking darkness... and what she finds there. A gorgeous must-have hardback from the award-winning team of ED BRUBAKER and SEAN PHILLIPS, with acclaimed color artist ELIZABETH BREITWEISER.

The title may be a riff on the melancholic country song popularized by Willie Nelson. I wonder how often I'll conflate the titles here and on the podcast -- or combine them and reference the Cowboy Junkies.

The next day, Image posted a press release for the book, which Sean Phillips reposted at his blog.

In the release, Brubaker describes the book as their version of a romance comic, confirming that it's also a crime story: "But it's one that allows me to mine some of my own pop culture obsessions and delve back into my teen years and the kind of trouble you can only get into when you're young."
This is evidently the "romance comic" that Phillips reference in an earlier interview, and we do wonder if this started out as that Criminal novella.

On Twitter, Phillips adds that, along with returning to paper for this project, he'll be providing the colors along with his son Jacob Phillips.  I believe this will be only the second time Sean Phillips has been a colorist, the first being the pair's contribution to The Spirit Newspaper.

• Eisner Nod for The Spirit Anthology.  On the subject, we had earlier overlooked the late-April announcement -- covered by the LA Times among others -- of the 2018 Eisner Award nominations.

We found the following among the nominees for Best Anthology:

• The Spirit Anthology, edited by Sean Phillips (Lakes International Comic Art Festival)

By our reckoning, this is the first year since 2014 that a Brubaker and Phillips collaboration hasn't been explicitly nominated for any Eisners, but they did have a one-page contribution to The Spirit newspaper-sized comic.

The Eisner Awards will be announced Friday night, July 20th, at Comic-Con International in San Diego. Between the Spirit comic's subject matter and rationale (the centenary of its creator Eisner's birth) and the murderer's row of creators, we're expecting good things.

On Twitter, Sean Phillips has a pinned tweet to remind readers that this anthology he edited is exclusively available through worldwide mail order from Page 45 Comics -- and here is the direct link.

• New Prints for Upcoming Works from Brubaker & Phillips.  Finally, Sean Phillips very recently announced new prints at his Big Cartel store, for artwork from this fall's big releases:  the cover for the single-volume trade collection for The Fade Out and the cover for the new novella, My Heroes Have Always Been Junkies.  In the case of the latter, two options are available, with and without the creators listed.

Bullets: New Kill Or Be Killed, New Undertow Podcast, New Edition of Sleeper, and News on Maniac Cop!

Regular readers know the drill:  a new podcast, a new issue from Brubaker and Phillips, and an online preview.

Details are below.

• Undertow Podcast 22 on Kill Or Be Killed 17.  A new episode of The Undertow Podcast was recently released, with a focus on the most recent issue of Kill Or Be Killed.  We covered a few recent news items, specifically the June solicitation for the KOBK finale (which we blogged about last month) and confirmation of the Maniac Cop reboot (covered below).

Robert and I also had some very unconventional recommendations.  We'll come back to those at the end of this post.

As always, The Undertow Podcast is available on iTunes and at Podbean.  We GREATLY appreciate our listeners' giving us feedback and letting others know about the show. 

• Kill Or Be Killed 18 In Stores Today.  Just yesterday, Image Comics updated its page for KOBK 18 by adding a three-page preview.  As shown above, the issue's apparent first page provides a more naturalistic reiteration of the striking cover art, which we now know features the slain body of the copycat vigilante.

This new issue is in stores today, and it seems to feature the return of Detective Lily Sharpe.  We wonder if her investigation of the copycat leads her back to Dylan -- that person of interest she saw at Rex's funeral -- and to his current predicament in a mental institution outside of the city.

One thing we do know, from a tweet from Kim Morgan ten days back, is that the bonus essay is on the 1949 film Too Late For Fears, "one of Lizabeth Scott's greatest roles."  The essay includes a moody illustration from Jacob Phillips, shown below.

• Sleeper Book  In Stores Today.  Serendipitously, KOBK isn't the only new book from Brubaker and Phillips.  From DC Comics, there's the softcover Sleeper Book One, which features what I would classify as the team's first major collaboration -- and it's their only series that has been work-for-hire rather than creator-owned.

Advanced solicited back in December, the book now features a "WildStorm Classic" trade dress, and while the book certainly qualifies as a classic for that larger superhero universe, we also found it to be a remarkably self-contained story. 

The series has been reprinted a few times, along with the prelude story Point Blank, with art by Colin Wilson (though using Sean Phillips' design for the protagonist Holden Carver).

• Originally, the 2003-2005 series was collected in four 6-issue trade paperbacks, with the Point Blank TPB being treated as a separate work. 
• In 2009, the series was collected in two 12-issue TPB's -- Season One and Season Two (for volume two, issues 1-12, with a newly collected Coup D'Etat prologue) -- and Point Blank was officially repackaged as a separate prelude story.
• In 2013, everything was collected in a single, 720-page hardcover omnibus.

Book One collects Point Blank and Season One, and we're sure that there will be a Book Two to complete the series.

I would have guessed that this new trade collection was a bare-bones combination of the two 2009 trade paperbacks, but I've confirmed that includes a few additional features, including an old essay by Brubaker and the complete set of issue-one layouts from Phillips.

Though at some point even we are loathe to collect every new printing of a Brubaker/Phillips work, we're happy to see that the series remains popular enough to justify a new printing every half-decade.

Its super-powered trappings perhaps make it the most accessible Brubaker-Phillips story for fans of the "Big Two" publishers, and fans of the pair's more recent, creator-owned crime comics should definitely check out Sleeper.  I think it's still one of their best works, and I know readers won't be disappointed.

• Exclusive Sleeper print -- and Auctioned Original Artwork! -- at OK Comics.  It'w worth a separate bullet to note that Leeds' OK Comics announced an exclusive print by Sean Phillips, to accompany their copies of the Sleeper Book One softcover.  The print is evidently limited to 50 copies and is signed by the artist.

The online pre-order page hasn't yet been updated, so it's possible the book and print can still be ordered online.

Even better, the page mentions that every order comes with an opportunity to place a blind bid for the print's original artwork from Sean Phillips, signed and framed.

• Maniac Cop Reboot Still Underway.  As we mentioned on the podcast, Birth.Movies.Death. published part of a conversation with director John Hyams on the subject of the Maniac Cop remake, in response to last year's comments from Larry Cohen, the writer of the original cult classic.  Along with some _very_ critical comments about the new screenplay by Ed Brubaker, Cohen made clear his belief that the remake was dead, but Hyams flatly contradicted the assertion.

In short, "it is going to happen."

More specifically, the remake is going to happen after Hyams' eight-episode series in development for Netflix and Too Old To Die Young, the Amazon series now in production from the remake's writer Brubaker and its producer Nicolas Winding Refn.

• Online Curiosities.  Podcast listeners will find that Robert and I had a few, somewhat unusual recommendations this month -- online gems that deserve wider recognition -- and I'd like to close this post with the relevant links.

• Cocaine and Rhinestones is what Robert recommended, "the podcast about the History of Country Music."  It's about the truth "that country music is wild and it is amazing because the people who made it were wild and they were amazing."
• The Auralnauts and their heavily remixed Star Wars Saga was my long-form recommendation.  Not officially part of the three-hour playlist is a Youth Biology PSA featuring their alternate-dimension take on the droids as "mentally unstable sociopaths."
• A mash-up music video from the mysterious YouTube user Isosine is my short-form recommendation:  its brilliance can hardly be described.  It's a perfect earworm, and it's almost impossible to shake it off.

We actually have much, much more to cover here on the blog, but perhaps we'll get to the other items later this week.

New Undertow Podcast, New Kill Or Be Killed, New Twitter Feed, and Catching Up for the New Year.

It's a big week:  Robert has recorded and released an abbreviated episode of The Undertow Podcast, reviewing Kill Or Be Killed #14, and issue #15 is in stores today with a four-page preview already online.

(Preview pages without the obscenities obscured -- and a fifth page -- can be found in the latest newsletter from writer Ed Brubaker; see below.)

The third trade paperback, collecting issues #11-14, is also in stores today.  Ireland's Big Bang Comics and the UK's Forbidden Planet has an exclusive variation on this third volume, with a different cover and a mini-print bookplate signed by the writer and the artist.  Both covers are shown below, along with the eerie artwork for the bookplate.

International orders can be placed at the Forbidden Planet online store or at Big Bang's eBay listing.  (And Big Bang tweets that they still have stock of their previous two trade paperbacks, with variant covers and signed bookplates.)

Interestingly, Forbidden Planet lists a "virgin wraparound" variant for the upcoming KOBK #17, but currently the page has no image preview and no additional details.

In the meantime, we have issue #15 out today. Last Saturday, John Jack at Comic Watch offered a brief "First Watch" advance review of the issue, awarding it a 9 out of 10.  The review has no spoilers beyond what can be gleaned from Image's official preview, with the exception of a single two-panel image, with the Demon suddenly back in the story, following Dylan.

And for those who are looking for a quick refresher after the series' brief hiatus, our good friend Robert Watson covers the previous arc, along with the previous issue, in The Undertow Podcast Episode #19.  As always, as always, the podcast is available on iTunes and Podbean.

--

I'm looking forward to joining Robert again for the next podcast, and it's been far too long since we've last blogged.  As the classic U2 song puts it, we've been "running to stand still" in real life, and there has been a lot of big news over the past few months.

For one thing, we have just created a dedicated Twitter account for the blog, @CriminalBlog, to separate our focus on all things Brubaker/Phillips from our personal account @TigerBeasley and my more idiosyncratic interests in faith, politics, movies, music, sports, and humor.

We do hope to blog much more frequently in the upcoming year, and we recommend that readers "follow" our new Twitter account to be notified of new posts and interesting retweets.

In the meantime, here is a very succinct timeline of the past few months, with the biggest news items highlighted in red.

• OCT 19, Page 45 Comics posted an extensive essay of reviews and photos from the Lakes International Comic Art Festival; among the featured festival-exclusive books is the Spirit newspaper curated by Sean Phillips (and featuring a one-page Brubaker/Phillips story) and Starting, a "one-day collaborative comic" that includes a four-page story from Sean's sun Jacob, and both products are available for international orders at Page 45's online store.

• OCT 30, Arrow Academy announces the upcoming Blu-ray and DVD release of Viva L'Italia, a 1961 documentary by Roberto Rossellini; the film is scheduled for a January 29th release and features cover artwork by Sean Phillips, shown below.

• NOV 13, Delcourt releases a 17-page preview of Fondu au Noir, the publisher's French translation of The Fade Out, in advance of its November 29th release.

• NOV 15, Image Comics announces its partnership with the Madefire digital program; details remain scant, but the press release includes Criminal in its reference to the publisher's back catalog.

• NOV 16, Marvel cancels two upcoming books from Brian Michael Bendis, a week after the writer announced his move to DC, effectively signaling the end of Marvel's Icon imprint for creator-owned works, at least for now; the imprint was the original home for Criminal and Incognito.

• NOV 16, Sean Phillips provided more information about the upcoming Criterion Collection release of Night of the Living Dead on DVD and Blu-ray February 13th; Sean Phillips painted the artwork for the cover, the wraparound sleeve, and the booklet -- the cover repurposes the poster for the recent 4K rerelease (also available at Criterion's online store) and the sleeve is the full artwork that Sean previously previewed in October and is reproduced below and on the artist's Twitter profile.

• NOV 21, director and co-writer Nicholas Winding Refn used his Instagram account to announce the main cast of Too Old to Die Young, highlighting the addition of Billy Baldwin; co-written by Ed Brubaker, the series stars Miles Teller and is apparently already in production.

• NOV 21, Image posted its February solicitations, listing a Valentine's Day release for KOBK #16; the cover art is the completed piece we saw as a work in progress, and the solicit confirms a literal interpretation of the artwork, mentioning Dylan's plight in a mental hospital.

• NOV 27, Robert and I released Undertow Podcast Episode 18; the podcast featured a review of KOBK #13 and recommendations for the comic books Whiteout -- artist Steve Lieber put the entire first issue online -- and Slots.

• NOV 29, Image Comics released KOBK #14 with a three-page preview; Hero Collector posted an essay explaining why people should be reading the title.

• DEC 14, The Hollywood Reporter exclusively announced that Chad Stahelski, the director of the John Wick films, is a directing a Kill Or Be Killed film adaptation; the script will be written by Dan Casey, who has written the script for the Incognito adaptation (not yet produced), and Ed Brubaker will be an executive producer.

• DEC 18, subscriber's received the latest installment of Ed Brubaker's email newsletter, his first in more than six months; the issue includes preview pages for KOBK #15, production work for the cover to issue #16, info on the KOBK movie, reposted news on a Velvet TV series, production photos from Too Old to Die Young, confirmation on his absence from Westworld's season two, and info on his research into the upcoming follow-up to The Fade Out.

(Not a traditional sequel, the story will be set in the late 1950's, when television became big in Hollywood, and it features "a side character" from the first story.  In earlier interviews, Brubaker specifically named Phil Brodsky, the studio's fixer.)

• DEC 18, DC Comics' March solicitations include an advance solicit for Sleeper Book One, in trade paperback; scheduled for April 25th, the book collects Point Blank and Sleeper Season One, both written by Ed Brubaker with the latter drawn by Sean Phillips in an early collaboration.

• DEC 18, Delcourt releases a French translation of KOBK #1, available for purchase online at Sequenicity.

• DEC 19, Image posted its March solicitations, with KOBK #17 listed for March 21 and described as "turning-point issue of the series so far;" perhaps meaningfully, the cover art has Dylan removing his now iconic red ski mask.

• DEC 20, Sean Phillips announces his work on the cover art for the Arrow Academy Blu-ray release of the 1947 Western Ramrod, starring Veronica Lake and scheduled for March 5th.

• DEC 20, Phillips also announces his work on a variant cover for Hellblazer #19, written by Tim Seeley; it appears that the issue has been solicited and is still scheduled for a February 28th release.

• JAN 10, the UK's Ink magazine publishes a retrospective review of Brubaker and Phillips' Sleeper, rightly describing the early work for DC's Wildstorm imprint as "a self-contained gem."

• JAN 15, Phillips announces new original artwork at Splash Page Comic Art, including paintings for covers of Kill Or Be Killed and Hellblazer.

• JAN 17, Phillips just announced that he's selling signed posters for Night of the Living Dead, at his Big Cartel store; it looks like quantities are very limited, possibly only two posters.

That just about covers it, but we'll have another blog entry up soon.

Bullets: New Undertow Podcast, New Kill Or Be Killed, Solicitations, and More!

The newest episode of The Undertow Podcast came out just last week, and the newest issue of Brubaker and Phillips' Kill Or Be Killed reaches stores today, hot on the heels of a four-page preview -- one which promises that we'll finally reach the flash forward from the first issue, which was repeated in issue #11.

We have details about both new arrivals below, along with news on solicitations for January and much more.

One of these days, I'll actually blog often enough that I won't need these massive posts of bullet points...

• Undertow Podcast on KOBK #12.  We had a blast recording episode 17, which is now available available on iTunes and at Podbean.  After discussing what we agree is the best issue of the series, so far, we covered a few news items that we're repeating below (along with some we omitted), and offered a couple recommendations for our listeners.

I recommended The Hard Place, a crime comic mini-series from Image Comics, written by Doug Wagner (Plastic) with art by Nic Rummel and Charlie Kirchoff.  The story is about an former wheelman who gets caught up in a bank robbery and the kidnapping of a crime kingpin's daughter: I wouldn't normally recommend a book after only two issues, but so far the title is just that good, and I do hope it sticks the landing.

Meanwhile, Robert recommended a list of (about) five deep cuts from Tom Petty, who passed away earlier this month.  For convenience, here's his list along with YouTube links, some from official channels and some that may stretch the definition of fair use.

• "The Wild One, Forever" from Tom Petty & The Heartbreakers' self-titled 1976 debut
• "Insider" featuring Stevie Nicks, from 1981's Hard Promises
• "Change of Heart" from 1982's Long After Dark
• "Straight Into Darkness" also from Long After Dark
• "Hard On Me" from the 1994 "solo" album Wildflowers
• "Room at the Top" from 1999's Echo
• "Trailer" from the 2016's Mudcrutch album 2

It's truly great stuff, though personally I'm hoping that we'll soon see the long-awaited additional material from the Wildflowers sessions, perhaps with the hard-to-find b-sides like "Girl on LSD."

• KOBK #13 On Sale Now, Preview Online.  The new issue's four-page preview was released just yesterday, it can be found at the link above, and the accompanying image is a detail from the first page.  In the preview, we see the promise that the timeline will reach the series' explosive opening -- "really soon," and "by the end of this chapter... for sure."

Presumably that means we'll see it this issue, but we also see Dylan giving more thought to the demon whose curse started this journey into vigilantism.  The issue's description hints that his investigation into the supposed hallucination might prove fatal to his mental health.

"Caught in the crossfire between the police and the Russian mob—and his sanity—Dylan begins to realize his problems are more dire than he thinks." [emphasis mine]

And, in the preview, Dylan acknowledges his rambling narration and alludes to The Life and Opinions of Tristram Shandy, Gentleman, an 18th-century novel written by an Irish, Anglican clergyman named Laurence Sterne.  The book was published in nine(!) volumes over the course of nearly a decade, and Dylan's apparent graduate studies in liberal arts is probably why he's familiar with the notably digressive work.

• The Spirit Newspaper Comic, Available for Online Orders.  We were ecstatic with last month's announcement that the Spirit newspaper comic -- overseen by Sean Phillips, with a single-page contribution written by Ed Brubaker -- would be available for online orders and international shipping.

The comic was initially available at this past weekend's Lakes International Comic Art Festival, which Phillips attended, and it is now available for purchase for a mere 5 pounds at Page 45 Comics, a store in Nottingham, England.

In an extensive, somewhat spoiler-heavy review on the product page, Stephen from Page 45 notes that the project was "directed and edited by Festival Patron Sean Phillips" -- and he notes that Phillips "also paid for its printing from his own pocket."

The product listing includes a few preview images, no doubt provided by Phillips, and one image evidently gives us the entire page produced by Brubaker and Phillips -- with Phillips doing the uncommon task of providing his own colors, and with almost a great enough resolution to make out the text.

Even if we could read the story on this page, we'd want to hold the work in our hands and see the other contributions from what the Page 45 reviewer calls "a breath-taking, broadsheet-sized spectacle at a whopping 23 x 14.5 [inches]."

The reviewer notes that sales proceeds will benefit the festival's Creators' Development Fund, but we're just as glad to have pre-ordered a couple copies for our own enjoyment.

• Femme Fatales Prints at Sean Phillips' Big Cartel Store.  On Twitter, Sean Phillips mentioned his trip to Kendal for the Lakes festival, and that he would only be selling The Spirit newspaper in the Page 45 room.  But he also pointed readers to his Big Cartel online store, where he has just added prints of the four pieces of artwork that were featured on the Femme Fatale beer.

The prints' names include a numbering order -- the reverse of which the prints were featured at Phillips' blog -- and we wonder if this was the order in which the works were created.

• #1 Rita Hayworth
• #2 Lauren Bacall
• #3 Gene Tierney
• #4 Veronica Lake

• Maniac Cop and Velvet: One Brubaker Project Possibly Scrapped, Another Announced.  In less than a fortnight, two news items broke regarding Ed Brubaker's projects outside of the printed page, with both items receiving plenty of coverage beyond their original publication.

On September 24th, Birth.Movies.Death exclusively reported some details from an interview with filmmaker Larry Cohen, the screenwriter behind the original Maniac Cop trilogy.  Ignore the reporter's hyperventilating about contemporary politics, and you'll see that Cohen appears certain that the Maniac Cop remake is dead:  the film, to be penned by Brubaker, was earlier given a green light to be filmed over this past summer.

While not detracting from Brubaker's skills as a comic-book writer, Cohen was not complimentary of Brubaker as a screenwriter or his script for the remake -- but the reporter seems both confused and even skeptical about some of the claims that his subject was making.

(So are we, and we hope this isn't the last we hear about the movie.)

On October 4th, The Hollywood Reporter exclusively reported a television series adapting Velvet, the spy comic created by Ed Brubaker and Steve Epting.  Writer, producer, and showrunner Kyle Killen will adapt the comic to be the first original drama for the Paramount Network, the cable network that debuts on January 18th, a rebranded Spike TV.

No date was given for the series premiere, but the show is described as "in development."  Killen will write and serve as executive producer, along with two executive producers from Anonymous Content, which produces True Detective and Mr. Robot.

We suspect that this is entirely separate from the "still top secret" project by Brubaker and Epting, which the writer mentioned in his email newsletter in June, 2016.

• Phillips Projects: Office Drones and Other Zombies.  Like Brubaker, Sean Phillips works on several projects at any given time, and here again we see that some bear more fruit than others.

(As the nearly comatose sailor put it in Master & Commander, the Lord taketh, and the Lord giveth away.)

On Twitter, Phillips posted cover artwork he did for The Apartment, the 1960 Best-Picture Oscar winner from Billy Wilder.  The film stars Jack Lemmon, Shirley MacLaine, and Fred MacMurray as office drones in what Mark Steyn brilliantly describes as "a sad but true urban Christmas fable."

The artwork was for Arrow Academy, a label for the British company Arrow Films, for which Phillips has produced artwork for at least four other films in the last few years.  As with Audition before it, Arrow ended up going in another direction, but a close look at Phillips' Twitter feed will reward fans with some in-progress pics from August, from digital pencils to "real" inks to colors.

We haven't yet seen what artwork Arrow went with, but we finally get to see what "Pink Shirley" was intended for...

...and we wonder if there are plans for that signed-and-dated drawing of Shirley MacLaine.

It seems Phillips is getting a reputation for his artwork of Hollywood stars -- I especially love his cover for the Criterion Collection's Sweet Smell of Success, another black-and-white classic set in NYC -- but the artist might always be known for zombies, and Phillips tweeted that he created the movie poster for the 4K re-release of The Night of the Living Dead.

At the end of September, the website Rue Morgue exclusively released the poster for the 4K restoration, which is being shown in select theaters throughout North America, now through January.

We're reposting the watermarked image below, and close readers can see Sean Phillips' signature and the year in the lower right:  we have no idea whether there are plans to make a print of this poster  available for purchase, but one could always talk to the theater owner where the movie's playing.

And this isn't the only zombie-related work that Phillips has produced recently:  two weeks back, he posted the following work-in-progress, and we're quite interested to see what it's for.

• January Solicitations and More Preview Art.  Finally, we turn back to Kill Or Be Killed and look forward to its future releases.  Image's January solicitations were released just yesterday, and they confirm our guess of a New Year release for the the third trade collection and the new arc's next issue, with both scheduled for a January 17th release.

Issue #15 is solicited with a full 40 pages, the full artwork for the detail which we previously noted, and a vague but intriguing description, that "Dylan is forced to confront the reality of his violent actions and his sanity...and nothing will ever be the same again!"

Sean Phillips used the same artwork to create a personal sketchbook, which he showed Twitter followers on Monday.  Even before that, he's treated fans to preview art of what appears to be the thematically similar cover for issue #16 -- created in acrylic paint, with red for the iconic ski mask, grays for the straitjacket, and an appropriately manic stare in the final version.

It's yet to be seen, how much of these images are literal or merely symbolic, and we hope readers don't go crazy waiting for the answer.